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	<title>Dossier Journal &#187; gawker</title>
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	<description>Fashion-Literature-Art-Culture</description>
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		<title>MOM and POPism at Gawker</title>
		<link>http://dossierjournal.com/blog/events/mom-and-popism-at-gawker/</link>
		<comments>http://dossierjournal.com/blog/events/mom-and-popism-at-gawker/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 14:00:09 +0000</pubDate>
		<dc:creator>Jenni Avins</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[gawker]]></category>
		<category><![CDATA[graffiti]]></category>
		<category><![CDATA[MOM and POPism]]></category>
		<category><![CDATA[Store Front: The Disappearing Face of New York]]></category>

		<guid isPermaLink="false">http://dossierjournal.com/?p=4457</guid>
		<description><![CDATA[After New York&#8217;s gallerists and hoteliers, the latest establishment to relegate graffiti to a location other than the city&#8217;s streets is none other than Gawker. With MOM and POPism, they&#8217;ve elevated the art form to their newly finished rooftop on Elizabeth Street – a pretty privileged place on an August afternoon. Curator Billi Kid, who [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://dossierjournal.com/blog/wp-content/uploads/2009/08/gawkergraffiti.jpg" rel="shadowbox[sbpost-4457];player=img;"><img class="aligncenter size-full wp-image-4459" src="http://dossierjournal.com/blog/wp-content/uploads/2009/08/gawkergraffiti.jpg" alt="gawkergraffiti" width="475" height="297" /></a></p>
<p>After New York&#8217;s <a href="http://deitchprojects.com/gallery/index.php"><span style="text-decoration: underline;">gallerists</span></a> and <a href="http://nymag.com/arts/art/features/58166/"><span style="text-decoration: underline;">hoteliers</span></a>, the latest establishment to relegate graffiti to a location other than the city&#8217;s streets is none other than <a href="http://artists.gawker.com/5304600/mom--popism"><span style="text-decoration: underline;">Gawker</span></a>. With <em>MOM and POPism</em>, they&#8217;ve elevated the art form to their newly finished rooftop on Elizabeth Street – a pretty privileged place on an August afternoon.</p>
<p>Curator Billi Kid, who got into street art when, in his words, he hit a mid-life crisis and &#8220;couldn&#8217;t afford the Porsche,&#8221; invited artists like Lady Pink, Cycle, and Peru Ana Ana Peru to paint head-high photographs from Karla and James Murray&#8217;s book, <em><span style="text-decoration: underline;"><a href="http://www.jamesandkarlamurray.com/JamesandKarlaMurraySTOREFRONT.html">Store Front: The Disappearing Face of New York</a></span></em> – a full-color ode to old NYC storefronts.</p>
<p><!--StartFragment--></p>
<p class="MsoNormal"><span lang="EN-US">The rooftop result is a miniaturized model of butcher shops, bars, and bakeries that once lined our city’s streets, all decorated (or defaced, depending on your taste) to artists’ delights. </span></p>
<p><!--EndFragment--></p>
<p>Last week, artists, gawkers, and old-school downtowners populated the diorama for an opening party, which sort of felt like socializing with elephants and hyenas in the Natural History Museum&#8217;s Hall of African Mammals.<span lang="EN-US"><span id="more-4457"></span></span>The artist Shiro, visiting from Shizuoka, Japan, kicked her legs in a wicker chair. &#8220;I love New York too, too much,&#8221; she chirped, while the evening turned pink over the Soho skyline. &#8220;I have more graffiti friends here. In my hometown I am only one graffiti artist, so it&#8217;s sooo-ooo boring.&#8221;</p>
<p>Most of the artists commented on the camaraderie, and easy joy of rooftop painting as commissioned artists, rather than criminals. &#8220;It beats central booking,&#8221; said Cycle.</p>
<p>It was photographing illegal graffiti that led the Murrays to storefronts like Matt Umanov&#8217;s guitar shop, which appears in a Bleecker Street panorama. Umanov, who has been in the West Village since 1962, noticed the artists hadn&#8217;t tagged the photo of his storefront. Even in graffiti&#8217;s Manhattan heyday, Umanov Guitars stayed pretty clean. &#8220;We were insured by Smith and Wesson,&#8221; said the silver-haired shopkeeper.</p>
<p>It might be an exhibit of an ecosystem verging on extinction, but from there on Gawker&#8217;s rooftop, we were just far enough above Soho to believe the art was still alive.</p>
<p><em>MOM and POPism  will be open to the public for just one day: Saturday August 15, Noon-4PM, 210 Elizabeth Street, 4th Floor</em></p>
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