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	<title>Dossier Journal &#187; Blu</title>
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		<title>Big Bang Big Boom</title>
		<link>http://dossierjournal.com/blog/art/big-bang-big-boom/</link>
		<comments>http://dossierjournal.com/blog/art/big-bang-big-boom/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 20:15:59 +0000</pubDate>
		<dc:creator>Thomas Mader</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Illustration]]></category>
		<category><![CDATA[Big Bang Big Boom]]></category>
		<category><![CDATA[Blu]]></category>
		<category><![CDATA[Muto]]></category>

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		<description><![CDATA[After his very impressive stop-motion film &#8220;Muto“ and after releasing several teasers over the last weeks and months, everybody&#8217;s favorite Italian Blu is back with his new film “Big Bang Big Boom.” This time he takes on the theory of evolution and shows you where life might have come from, what steps it has gone [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://dossierjournal.com/art/big-bang-big-boom/attachment/picture-3-12/" rel="attachment wp-att-12902" title="Picture 3"><img src="http://dossierjournal.com/blog/wp-content/uploads/2010/07/Picture-3.png" alt="" title="Picture 3" width="580" height="437" class="aligncenter size-full wp-image-12902" /></a></p>
<p>After his very impressive stop-motion film &#8220;<a href="http://www.blublu.org/sito/video/muto.htm"><u>Muto</u></a>“ and after releasing several teasers over the last weeks and months, everybody&#8217;s favorite Italian <a href="http://www.blublu.org/"><u>Blu</u></a> is back with his new film “Big Bang Big Boom.” This time he takes on the theory of evolution and shows you where life might have come from, what steps it has gone through and how it might end. And as always Blu&#8217;s universe consist of 1.000.000 liters of paint, trash and creepy creatures. Enjoy. </p>
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<p><a href="http://vimeo.com/13085676">BIG BANG BIG BOOM &#8211; the new wall-painted animation by BLU</a> from <a href="http://vimeo.com/blu">blu</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
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		<title>Review: David Ellis / Prefuse 73 @ (Le) Poisson Rouge</title>
		<link>http://dossierjournal.com/blog/music/review-david-ellis-prefuse-73-le-poisson-rouge/</link>
		<comments>http://dossierjournal.com/blog/music/review-david-ellis-prefuse-73-le-poisson-rouge/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 23:53:42 +0000</pubDate>
		<dc:creator>Asher Ross</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Blu]]></category>
		<category><![CDATA[David Ellis]]></category>
		<category><![CDATA[Jon Hopkins]]></category>
		<category><![CDATA[Le Poisson Rouge]]></category>
		<category><![CDATA[Prefuse 73]]></category>

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		<description><![CDATA[David Ellis’ exhibition at (Le) Poisson Rouge is a misnomer. It consists of a handful of sculptures wrought from records (and their sleeves) that are neat bits of ornamental design but that don’t invite any kind of reflection. The same is true of his “movement sculpture”, which comes off like a sneaker commercial. Perhaps noticing [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://dossierjournal.com/blog/wp-content/uploads/2009/11/ellis1.jpg" rel="shadowbox[sbpost-6872];player=img;" title="Top: Work by David Ellis, Left: Prefuse 73, Right: Jon Hopkins"><img class="aligncenter size-full wp-image-6882" title="Top: Work by David Ellis, Left: Prefuse 73, Right: Jon Hopkins" src="http://dossierjournal.com/blog/wp-content/uploads/2009/11/ellis1.jpg" alt="Top: Work by David Ellis, Left: Prefuse 73, Right: Jon Hopkins" width="475" height="317" /></a></p>
<p><a href="http://www.davidellis.org/"><span style="text-decoration: underline;">David Ellis</span></a>’ exhibition at (Le) Poisson Rouge is a misnomer. It consists of a handful of sculptures wrought from records (and their sleeves) that are neat bits of ornamental design but that don’t invite any kind of reflection.  The same is true of his “movement sculpture”, which comes off like a sneaker commercial.  Perhaps noticing this, someone tacked on a looped playback of Ellis’ <a href="http://www.youtube.com/watch?v=uad17d5hR5s" rel="shadowbox[sbpost-6872];player=swf;width=640;height=385;"><span style="text-decoration: underline;">collaboration</span></a> with Italian street artist Blu.</p>
<p>The opening was followed by a show with performances by <a href="http://www.prefuse73.com/">Prefuse 73</a>, <a href="http://www.myspace.com/jonhopkins">Jon Hopkins</a> and  <a href="http://www.myspace.com/mixhell">MIXHELL</a>. Not much happened.  The high point turned out to be a set of horror-inspired stuff from Jon Hopkins, in which he used the venue&#8217;s cavernous interior and well-spread speaker system to creepy and then chest-rattling effect.  Prefuse 73 played a rambling, messy set that was disappointing coming from such royalty.  One sequence, a sustained sampling of guitar solos (including some Hendrix), was smart if totally undanceable. He was probably just drunk, or bored, as were we.</p>
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