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	<title>Dossier Journal: Style &#187; Mc&amp;Co</title>
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	<description>Fashion-Beauty-Shopping</description>
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		<title>Hanna Sandin&#8217;s SAMMA</title>
		<link>http://dossierjournal.com/style/fashion/hanna-sandin-and-sammo/</link>
		<comments>http://dossierjournal.com/style/fashion/hanna-sandin-and-sammo/#comments</comments>
		<pubDate>Tue, 17 Mar 2009 15:12:39 +0000</pubDate>
		<dc:creator>Caris Reid</dc:creator>
				<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Hanna Sandin]]></category>
		<category><![CDATA[Mc&Co]]></category>
		<category><![CDATA[SAMMA]]></category>

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		<description><![CDATA[The serendipitous start of the jewelry line SAMMA is as unusual and memorable as the line itself—it began with a robbery. When artist Hanna Sandin’s apartment was burgled and all her valuables and jewelry were stolen, she began stringing materials from her studio around her neck as a method of temporary adornment. The casual operation [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://dossierjournal.com/style/wp-content/uploads/2009/03/samma.jpg"><img class="aligncenter size-full wp-image-2482" title="samma" src="http://dossierjournal.com/style/wp-content/uploads/2009/03/samma.jpg" alt="samma" width="700" height="430" /></a></p>
<p>The serendipitous start of the jewelry line SAMMA is as unusual and memorable as the line itself—it began with a robbery. When artist Hanna Sandin’s apartment was burgled and all her valuables and jewelry were stolen, she began stringing materials from her studio around her neck as a method of temporary adornment.  The casual operation underwent an alchemical shift of Rumpelstiltskin straw-into-gold proportions, and her makeshift necklaces became beautiful jewelry that is both elegant and slightly offbeat.</p>
<p>Ms. Sandin, whose collection is available at <span style="text-decoration: underline;"><a href="http://www.yelp.com/biz/mc-and-co-brooklyn">Mc &amp; Co</a></span> in Williamsburg, has the mesmerizing ability to take the most banal object and give it a sense of worth by allowing its inherent beauty to shine through.  An elegant woman of Swedish decent—and a familiar face among art and fashion circles—the six-foot-tall designer is rarely seen without one of her creations around her neck.  Moreover, the collection of ropes and triangles, chains and knots seem a natural, wearable extension of the mobiles and sculptures she creates: a harmonious sing-song of complementary fragments.</p>
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