Sam Rockwell as Justin Hammer in the second installment of the Iron Man franchise.
Ten years on from his show-stopping performance as a moonwalking maniac in the original Charlie’s Angels movie Sam Rockwell returns to his roots with two familiar roles–one evil and the other innocent–strikingly similar to those that made him a star. In next [...]
Category Archives: Theatre
Sam Rockwell’s Nymphs & Innocents
Big Eater at The Kitchen
Photo by Paula Court
Clearly contemporary art can have anything as its subject matter and can execute it in any form. “Big Eater” does just that, situating a performance piece on David Hasselhoff’s demoralizing video, taped by his young daughter, in which he’s eating a hamburger on the ground completely wasted. Through the device of appropriation [...]
Trifles at St. Mark’s Church
Trifles, a 1916 one-act play by Susan Glaspell set at the scene of a bizarre murder in the Midwest in 1900, is being staged by Theater of the Two-headed Calf at St. Mark’s Church. Trifles director Brooke O’Harra and Composer Brendan Connelly team up with the new music ensemble Yarn/Wire to approach Glaspell’s text as [...]
Mendes, Shakespeare, BAM!
Oscar and Tony winner Sam Mendes has arrived in Brooklyn with a pair of plays by the grand old bard as part of the second annual Bridge Project, a cross-Atlantic production between The West End’s Old Vic Theatre and the Brooklyn Academy of Music (his street team seems to have arrived well in advance with [...]
Cassavetes Goes Public
The Public Theatre’s presentation of “John Cassavetes’ Husbands,” running as part of the Under the Radar festival, is a nearly verbatim, unabridged reproduction of a largely improvised movie. Whatever the late great auteur’s feeling about the ‘I’-word (busily qualifying it with hours of workshopping and rehearsals, I imagine), the rhythms of his 1970 film, starring [...]
Review: The New Electric Ballroom at St. Ann’s Warehouse
If it is true, as the women in Enda Walsh’s The New Electric Ballroom recite, that “no man is an island,” then why does it seem as if we are too often drowning in a sea of gobshite*?
Walsh, who now resides in London, is a bit of a rogue amongst his playwriting peers, eschewing the [...]
The Emperor Jones at the Irish Repertory Theatre
Those who haven’t read Eugene O’Neill’s The Emperor Jones will leave the Irish Repertory’s new production occupied with a single question: is this a bad play, or is it just a contrived staging? They’ll be nearly mystified at their dulled senses and likely disappointed that the spectacle hasn’t inspired less ireful considerations. (Those who’ve read [...]
Review: The Playboy of the Western World at New York City Center
Early twentieth century Irish theater has a hard time in America today. The accents, which are integral to the cadences of the old peasant idiom, are frequently a problem for our actors, who not only struggle to produce plausible tones but often deliver limply the words of the theater’s great writers, W.B. Yeats and J.M. [...]
Andrew Gilchrist’s ‘James V’ Showing May 13th
Much has been written on the theater’s relation to cinema. Not long ago, André Bazin suggested that the connection is far older and closer than is generally admitted, and that if we hope to understand one form, we ought to understand the other. But today it is the divergence between theater and cinema that seems [...]
Ayckbourn’s Conquests
When you’re watching a play, do you ever wonder where the characters go when they leave the room? Alan Ayckbourn’s trilogy “The Norman Conquests” answers this question; each play in the series shows the same six characters in a different room of the house during the same unhappy weekend. Although the plays are self-contained and [...]


