Tuesday night the Guggenheim opened it’s new restaurant, The Wright, for a press preview. Andre Kikoski’s design takes its form from the mother structure, draping the 1,600-sq-foot room in clean layered curves. Enlivening this is a sculpture of mod-colored aluminum bars by Liam Gillick, which gives a vivid, linear counterpoint to the swerving walls. Gillick’s [...]
Author Archives: Asher Ross
The Quietest Tyrant: Sokurov’s The Sun
Alexander Sokurov’s The Sun envisions the Japanese Emperor Hirohito, a putative descendant of the Sun God who renounced his divinity in the wake of nuclear devastation, as an obscure man of captivatingly delicate temperament. As bombs rain down on Tokyo, he dissects a hermit crab, composes mediocre haiku, and paces his lab-turned-bunker with the fumbling [...]
Sante on the Postcard
Photography sage/sleuth Luc Sante has published a new book, Folk Photography, collecting 122 postcards which purport to document the United States “in all its messiness, sprawl, disaster, homely comfort, hard labor, pageantry, violence, optimism, piety, ignorance, hubris, imaginative flight, orderliness, grandeur, chaos, and pastoral quiet.” The pictures come with an essay, and Sante’s essays [...]
Chris Jordan: The Midway Atoll
This is not an assemblage, it is an albatross that died after eating debris its parents mistook for food. The phenomenon is common in the garbage-choked Midway Atoll where thousands of such corpses appear yearly. The photographer, Chris Jordan, captured these transfixing images just as he found them. See more on the [...]
Review: David Ellis / Prefuse 73 @ (Le) Poisson Rouge
David Ellis’ exhibition at (Le) Poisson Rouge is a misnomer. It consists of a handful of sculptures wrought from records (and their sleeves) that are neat bits of ornamental design but that don’t invite any kind of reflection. The same is true of his “movement sculpture”, which comes off like a sneaker commercial. [...]
Frederick Wiseman’s La Danse
La Danse, Frederick Wiseman’s 38th film, is a masterpiece. In it the 79-year-old director has set aside the epic, ongoing film of America’s institutional fabric that has been his life’s work in order to take up a subject that seems nearer to his personal affections – the Paris Opera Ballet. If, like me, [...]
Till The Kingdom Comes
Simen Johan has returned to Yossi Milo Gallery with an update of his ongoing series Until the Kingdom Comes. The new pictures are just as disquieting as those in the 2006 exhibition – if not more so – and they demonstrate a clear refinement of both technique and concept.
Johan has earned his name as [...]
A History of the Heart in Three Rainbows
A History of the Heart in Three Rainbows, Francesco Clemente’s new work at Deitch Projects, is more of a chapel than an exhibition. This effect is partially due to the watercolor medium, which on such a grand scale implies the cloudy translucence of stained glass. The piece consists of three sets of five enormous panels [...]
It Takes Two
Conceptual minimalist Ceal Floyer is back stateside at 303 Gallery, proving once again just how little you can put into a big room. Taking up just two of the walls, Scale and Ink on Paper are an agoraphobe’s nightmare. For the rest of us, the show provides the airy calm for which so many spaces [...]
Protect Protect
Sometimes it seems like Jenny Holzer has suffered the worst possible fate of a “prophetic” artist – banality. Her early aphorisms concerning torture and war are said time and again to be uncannily suited to the millennial world. But does it really feel uncanny? In Holzer we recognize our own intimations, the prophecy we all [...]


